Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 232 | European city landscape, street landsacpe, construction, frontstore, building and architecture.057 | Portrait of Thomas Paine | Franz Christoph von Hutten, Furstbischof von Speyer | Sheep 138 |
Related Artists:
ROSA, Salvator
Italian Baroque Era Painter, 1615-1673 Italian painter, draughtsman, etcher, poet and actor. He was one of the most original artists and extravagant personalities of the 17th century. His most popular and influential works were his landscapes, the wild and mountainous beauty of which contrasted with the pastoral scenes of Claude Lorrain. Yet Rosa also painted macabre subjects, erudite philosophical allegories and grand historical themes; he was, moreover, the most significant satirical poet of the Italian 17th century, and there is a close relationship between his poetry and painting. His earliest biographers, Filippo Baldinucci and Giovanni Battista Passeri, both of whom knew him well, described at length his fiery temperament
Konstantinos Volanakis
(Greek, b. Heraklion, Crete, 1837- d. 29 June 1907) was a Greek painter, considered one of the best of the 19th century. Born to a wealthy family, he went to Trieste, Italy, in 1856 where he took up painting. He studied in the Munich Academy. He is one of the foremost representatives of the Munich School, a Greek artistic movement of the 19th century. Michalis Oikonomou, another Greek painter, was one of his pupils. He died in 1907. His works are today exhibited in major museums in Greece and abroad.
Gustave Loiseau
French, 1865-1935 French painter. He was apprenticed first to a butcher and in 1880 to a house painter. It was not until 1887, when he received a small inheritance, that he was able to devote himself to painting. He spent a year studying modelling and design at the Ecole des Arts D?coratifs in Paris and then entered the studio of the French landscape painter Fernand Just Quignon (b 1854) for six months in 1889. After settling in 1890 in Pont-Aven in Brittany, where he met the painters Maxime Maufra and Henri Moret (1856-1913), he produced such carefully executed works as the Green Rocks (1893; Geneva, Petit Pal.). It was not until 1894, however, that he met Gauguin on the latter return from Tahiti, and though he did not accept Gauguin synthetist ideas the encounter led to a stronger structure and freer brushstrokes in his subsequent work.